Guitar Intermediate Repertoire
|
Carcassi M |
Study No1 C major (from 25 Studies) |
Chanterelle ECH470 |
|
Cottam D |
Nocturne: no. 3 (from Zebra Music) |
ESG Music |
|
Dowland J ed Kilvington C |
Lady Laiton's Almain (from Dowland's Dozen) |
Ricordi LD686 |
|
Dyens R |
Lille Song (from Lille Song) |
Lemoine 26 193 HL |
|
Fiorentino C arr |
Ode to Whiskey (from Celtic Music for Classical Guitar) |
Carisch ML2601 |
|
Garcia G |
Etude No.6 Après midi d'un Cafard (from25 Etudes Esquisses for Guitar) |
Mel Bay |
|
Giuliani M |
Sonatine - Allegro moderato (from The Guitarists Hour Book III) |
Schott GA21 |
|
Giuliani M ed Wright R |
Two Waltzes Op21 Nos 8 & 9 (from The Classical Book) |
Chanterelle 2112 |
|
Hartog C |
Reflections (from Guitar Crackers) |
Alsbach-Educa |
|
Koshkin N |
No19 Marche des Chevaliers (from Mascarades Volume 2) |
Lemoine / UMP |
|
Lauro A |
La Gatica (from2 Venezuelan Waltzes) |
Universal Edition UE29173 |
|
Lindsey-Clark V |
Havre Gosselin (from Five Pictures of Sark) |
Montague/Guitarnotes |
|
Montreuil G |
Beguine 'Alicia' (from Divertissements pour guitare Volume 2) |
Dobermann-Yppan DO55 |
|
Nuttall P |
Mexicana (from 12 Inventions) |
Holley Music Holl S 007 |
|
Oser S |
Delicioso - Choro (from Guitarra Latina |
Doblinger19 627 |
|
Piazzolla A arr Ryan |
Vuelvo al sur (from Play Piazzolla) |
Boosey & Hawkes |
|
Sor F |
Allegretto Op44 No19 (from The Complete Studies for Guitar) |
Chanterelle 491 |
|
Tarrega F |
Valse (from Opere per Chitarra Vol3 - Composizioni Originali) |
Berben E 1533 B |
Format
At Intermediate level, the programme of works performed must be between 15 and 20 minutes
This time limit refers to the total duration of all the pieces performed, including breaks between movements but does not include:
- arrival/departure time
- setting up
- tuning
- breaks or pauses between items.
Permitted repertoire
While more than one item must be presented, the total number of works is not prescribed.
A list of indicative repertoire is provided below, and the entire programme may be selected from this list.
Alternatively, up to one third of the time available (7 minutes) may be taken up by one or more pieces of the candidate's own choice. These may be taken from any source, including current or past grade syllabuses of any board. A candidate's own composition(s) may also be included in this allowance if wished.
All own-choice repertoire must be of a similar level of technical and musical demand as the pieces on the list, and should agree with the guidelines for selection of repertoire which are available here
Note that there will be no facility for pre-approval of any own-choice repertoire, either by Trinity Guildhall's Head Office or by individual examiners. Candidates are strongly advised to refer to the lists of indicative repertoire and the descriptors when selecting own-choice music.