Guitar Foundation Repertoire
|
Brouwer L |
Etude 5 (from Etudes Simples) |
Eschig/UMP |
|
Carulli F ed Wright R |
Valse Op 241, No21 (from The Classical Book) |
Chanterelle 2112 |
|
Cottam D |
Peppermint Rag (from Zebramusic for Guitar) |
ESG Music 076 |
|
Dowland J ed Kilvington C |
Mrs Winter's Jump or A Coy Toy (from Dowland's Dozen) |
Ricordi LD686 |
|
Gagnon C ed |
What if a Day (from Le petit livre de guitare Vol 2) |
Les Productions D'Oz 12 |
|
Gagnon C ed |
Wolsey's Wilde (from Le petit livre de guitare Vol 2) |
Les Productions D'Oz 12 |
|
Gerrits P ed |
Souvenir d'Espagne (from La guitare enchantée) |
Doberman-Yppan DO28 |
|
Giuliani M ed Wright R |
Allegretto Op50 No31 (from The Classical Book) |
Chanterelle 2112 |
|
Hartog C |
Country Bounty (from Guitar Crackers) |
Alsbach-Educa |
|
Hartog C |
Una Pareja Amorosa (from Guitar Crackers) |
Alsbach-Educa |
|
Hunt O ed Brightmore R |
Autumn Mist (from Modern Times Vol II) |
Chanterelle 752 |
|
Kleynjans F |
Sicilienne (from Le coin de Guitaristes Op119) |
Lemoine 26121HL |
|
Lester B |
Sun Song (from Essential Guitar Skill - The Barré) |
Ricordi |
|
Montreuil G |
Tango pour Helene (from Divertissements pour guitare Volume 1) |
Dobermann-Yppan DO50 |
|
Nuttall P |
Sounds Blue (from Moving On) |
Countryside Music |
|
Nuttall P |
Romantica (from First Performance Pieces) |
Countryside Music |
|
Oser S |
Mi Pañuelito (from Guitarra Latina) |
Doblinger19 627 |
|
Piazzolla A arr Ryan G |
Chanson de la naissance (from Play Piazzolla) |
Boosey & Hawkes |
|
Powlesland N |
Bad Jack (from The Real Guitar Book Volume 1) |
Camden Music CM191 |
|
Rak S |
Romance p11 (from Minute Solos) |
Praha PAH7236 |
|
Sollory L |
Aurora (from The Real Guitar Book Volume 3) |
Camden Music CM245 |
|
Sollory L |
Coast to Coast (from The Real Guitar Book Volume 3) |
Camden Music CM245 |
|
Sor F |
Andantino Op44 No3 (from The Complete Studies for Guitar) |
Chanterelle 491 |
|
Sor F |
Allegretto moderato Op31 No3 (from The Complete Studies for Guitar) |
Chanterelle 491 |
Format
At Foundation level, the programme of works performed must be between 8 and 10 minutesThis time limit refers to the total duration of all the pieces performed, including breaks between movements but does not include:
- arrival/departure time
- setting up
- tuning
-
breaks or pauses between items.
Permitted repertoire
While more than one item must be presented, the total number of works is not prescribed.
A list of indicative repertoire is provided below, and the entire programme may be selected from this list.
Alternatively, up to one third of the time available (3 ½ minutes) may be taken up by one or more pieces of the candidate's own choice. These may be taken from any source, including current or past grade syllabuses of any board. A candidate's own composition(s) may also be included in this allowance if wished.
All own-choice repertoire must be of a similar level of technical and musical demand as the pieces on the list, and should agree with the guidelines for selection of repertoire which are available here
Note that there will be no facility for pre-approval of any own-choice repertoire, either by Trinity Guildhall's Head Office or by individual examiners. Candidates are strongly advised to refer to the lists of indicative repertoire and the descriptors when selecting own-choice music.